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psychology

ptsd

He is literally standing there, freezing and traumatised, while having to do an interview, and photo shooting, and is shrugged off by someone completely unprepared to help. See below.

QUINCY JONES

At one point when we were working on Thriller, we were up for days – all of us were just completely exhausted, man. I was bound to snap at one point. I don’t remember the exact reason, it might have been cause a harmony wasn’t right or the lyrics were wrong, but Michael did something I didn’t want, and I got pissed. And I mean pissed, man.

And in that moment I just got up and stormed over to Michael and just screamed at him – I don’t even remember what I said but I was just yelling at his face for not doing something right. After a second I snapped out of it and I looked over at Bruce, and noticed he was looking right at Michael.

I looked back at Michael… and it was weird, man, cause he was staring right at me, but he wasn’t looking at me. Like he was seeing something else – his eyes were all fogged up. I stared at him for like 10 seconds, and I reached out and touched his shoulder to make sure he was okay, and he sort of snapped out of it and put his arms up, like I was gonna hit him. And it was in that exact moment that I realized exactly what I did, and why he reacted like that, and I felt sick… We took a little break after, since Michael was a little off for the next few hours. Everything was okay, Michael got over it though by morning… He’s so forgiving, you know? All I could think after that was “Man, I hope this kid doesn’t see me like he sees his father”.

Highlights by JS. He dissociates and freezes up, a common PTSD/trauma response.

Talking to Sam Stein, The Glenda Tapes, 1991

MJ: Joseph is dangerous.
S: ??…Joseph isn’t dangerous..(I)
MJ: Pardon?
S: Not to you
MJ: I can’t hear you.
S: I said he’s not dangerous to you.
MJ: He’s not dangerous to me?
S: ?(Not unless you let him?)
MJ: Why don’t you just not talk to me anymore? Why don’t you just… honestly, why don’t you just… Why don’t y’all just not talk to me?
S: ? Every time you tell me something about Joseph, you, uh…

LIVING WITH MICHAEL JACKSON (2003)

Squirming in his seat, eye movements, facial expressions –
being pestered is clearly traumatic for him.

anxiety, body dysmorphia, anorexia

Talking to glenda Stein, The Glenda Tapes, 1992-early 1992

G: In a way, in a way, and to be looking at someone in the face or having someone look at you in the face cause you don’t want them to… ’cause
MJ: You know what, I don’t want them to get close and I don’t want them to see in my soul. And then I deal with this anorexia thing… I feel sad.
G: Don’t, Michael. You look really good. (Silence) You look really good.
MJ: (After a silence- very low, strained) I don’t look good. I (I)

[…]

“MJ: Joseph used to beat us all the time and… (inaudible) dance… would… He would, he would just… get to me. And I bought into that, he was like, “Oh you put on a few pounds.” The only thing that I could control in my life […] The only control I had over my life was eating. I had no control. We had no control. clears throat I didn’t, I didn’t… I wasn’t like my brothers. People, they’re angry and they take it out on others. I was angry and hurt, and I took it out on myself. And being brought up with Joseph and stuff like that… when we were rehearsing on 2300- where we used to live. It’s like, If I danced wrong, if I sang the wrong note, I’d get the hell beat out of me, I’d get thrown in the basement. So instead of taking that out on other people, I withdrew and I’d take it out on myself. There was nothing I could control in my life but my eating. And Joseph told me, “Oh, you’re… oh you have such a big nose.”
G: He told you you were too [i]?
MJ: Yes. When I was little. “You look so [i], you don’t look like my child. Your nose is so big,” and this and that. They used to call me Big Nose and stuff. And instead of retaliating on them, I just did it with myself.

G: Michael? Are you happy with your face?
MJ: Yeah. I’m happy with my face and stuff.
G: Are you happy you did all that surgery?
MJ: Yeah. Because I don’t wanna look like Joseph
G: Well, you don’t! (laughs)

Talking to glenda Stein, The Glenda Tapes, summer 1992

MJ: I took them off for a minute, I waved to the girls in the balcony and I said “This is for the girls in the balcony,” and I took them off and I put them back on. That was hard. I didn’t want to do it.

G: How, uh when did you start wearing glasses, sunglasses all the time?
MJ: I wore shades for years. You know, I wear shades because… like, like Mr. D said… and it’s true. Your eyes… when you show someone your eyes, you let them look through your soul. I didn’t want anyone to look into my soul, y’know? I didn’t want anybody to see that about me. And there’s a lot of pain and stuff and I’m very scared.
G: But, on the Dangerous album, it’s all of you. (Laughing)
MJ: (I) You really don’t understand… Do you?
G: No, I don’t.
MJ: Take a look at those eyes.
G: They’re beautiful eyes… (I) hiding from your face?
MJ: That was a mask/mat of tate/tape
G: What does that mean?
MJ: That was… it’s like… if someone, it’s like. (long pause) It’s like, you see someone’s eyes, or you draw a painting of those eyes. It’s like… did you ever see me on the cover of BAD?
G: Are you asking me if I’ve seen the cover of BAD?
MJ: Yeah
G: Yeah
MJ: I had light contacts on and that was all airbrushed. When you see me on Dangerous, that’s all airbrushed. That’s some airbrushing.
G: Your eyes?
MJ: Yeah. I don’t look that perfect.
G: (Laughing) Um okay. (Laughing). Don’t lie, I’m just (I)
MJ: It’s airbrushing.
G: Oh, Okay. Is there a reason you just showed your eyes and not the rest of your face?
MJ: Because I was supposed to be like a “vision into my soul”… looking into my soul.
G: Is that what it was?
MJ: It was airbrushed.
G: Cool…okay..

[…]

MJ: To tell you honestly what Elizabeth and I talked about… She got so “F’d” up (I)[behind?] hurt and about being a child star… and I was so screwed up and whatever you want to call it [behind me?] I swear to you (I) ’cause I do hide.
G: (Long pause) You hide?

MJ: Look, my eyes and stuff like that, but they are just airbrushed. When you see someone on the cover of a magazine. Like Vogue or Rolling Stones, or whatever you call it, it’s airbrushed. You want it to look perfect.
G: (I)
MJ: Well sure it does, of course. But, it’s like.. if I was a top person, y’know, like “Jen Brad? Jim Brett?(???) Or somebody like that… let’s say… You’re going to be on the cover of Rolling Stones (I) You look like (I). You would look perfect. No matter what you have wrong with you… That’s how it is in the business. You have to look perfect.
G: Well, you did look perfect on that one picture on the cover of Rolling Stone where you had your hands up and your head down. That’s a great picture. I noticed you don’t look at the camera?
MJ: ‘Cause I don’t want people to… (long quiet pause) soul… I don’t want people to look through my soul… I say on the Dangerous album…

Perfectionism, Control, Pressure

Katherine Jackson Interview, unknown date

Q: Why do you think he felt that way? Do you think it had to do with Joe?
KJ: Pardon?
Q: Do you think his need to be perfect had to do with his father, with Joe?
KJ: No. I don’t. It’s just the way he felt.
Q: You think that was a lot of pressure on him? To always feel like you have to be the best. That must be…
KJ: No, it was just that he said that you should give the people what they want. He… he would, any song that he made he wanted to be perfect, even though man isn’t perfect, but he was like a perfectionist. He want everything to be right.
Q: Did you ever say ‘Michael you can’t be perfect’.
KJ: No, I never said that to him because I wanted him to continue to do his best with everything. And that’s how he was, he just didn’t put anything out there. You know like some people say ‘I’m finished with it so let it go’. No, he wasn’t like that.
Q: As his mother did you feel like it was too much pressure for Michael to always want to be perfect?
KJ: No, as his mother I felt that uh this is the way Michael is. He just… just didn’t want to put anything out there. And it could be that because his name was linked behind it he wanted it to be good.

LIVING WITH MICHAEL JACKSON (2003)

Squirming in his seat, eye movements, facial expressions –
being pestered is clearly traumatic for him.

Michael Jackson rare 1980
Michael Jackson rare (1980)

Pressure

Scream/Xscape

Stop pressurin‘ me
Just stop pressurin‘ me
Just stop pressurin‘ me
Make me wanna scream (Hee, hee!)

Credits: Xscape lyrics © Peermusic Publishing, Sony/ATV Music Publishing LLC, Universal Music Publishing Group, Warner Chappell Music, Inc

Xscape, the pressure that I face from relationships haven’t gone my way
Xscape, the man with the pen that writes the lies that hassle this man

Credits: Scream lyrics © Mijac Music, Kmr Music Royalties Ii Scsp

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